Narrowly winding down the coast of the Pacific Ocean, to the tip of South America, Chile is the biggest supplier of copper to the world market. Its Andean ranges also contain massive lithium deposits – the key ingredient in battery power. No lithium, no iPhone. Most mining takes place in the north of the country, in the region of the Atacama Desert, with the city of Antofagasta acting as the urban hub of export-oriented extractive activity. Copper gleaned from mines nearby constitute 30 percent of Chile’s exports, while the lithium pooled and refined in adjoining Salar del Carmen amounts to 130 tons per year.
Mining supply chains originating in Chile expand outward across the Pacific’s labyrinthine maritime trade routes, and into the equally complex urban-industrial networks at the foundations of China’s rise. If, in the 1970s, 80 percent of global trade was made up of transatlantic shipping, by 2013 that figure had fallen to 40 percent, with the Pacific Ocean becoming the central corridor for world trade. Already by 1995, China had become the world’s dominant steel producer, goading an extraordinary demand for raw material imports, and the attendant development of an unparalleled maritime fleet. The minerals extracted from mines like those in Chile reappear as tens of thousands of skyscrapers lining the cityscapes of China’s rapidly expanding conurbations, highway and railway infrastructures, industrial inputs, and consumer products.
The World, the Machine, and Everyday Labor
Martín Arboleda’s exceptionally ambitious Planetary Mine, attempts to connect the abstract unfolding of a process of global capital accumulation linking Chile and China across the world market, together with the concrete, sensuous, quotidian realities of labor, territory, and urban life on either end of that abstract flow.
One backdrop to story is the accelerating pace of automation. While the tendency for increase in the ratio of automated to living labor – or the organic composition of capital – dates back to much earlier stages of the capitalist mode of production, the twenty-first century has brought with it a qualitative leap. Artificial intelligence, robotics, and big data today underpin processes of mineral extraction, enabling the twenty-four-seven activities of completely robotized trucks, shovels, and drills.
Advances in systems of geospatial information and geological surveying capacities have made access to low-grade ore bodies profitable, either for the first time, through precise representations of subsurface mineral deposits, or once again, in the case of abandoned mines long thought to have been utterly sapped of their riches. Engineered microorganisms are increasingly used to breakdown ores impervious to the whims of older technologies. Simultaneous developments in logistics have created incentives for integrated systems across sites of extraction, processing, and smelting, through to ports and far-flung shipping routes.
As China transformed into the manufacturing centre of global accumulation, its commercial ties to Latin America expanded at a remarkable rate, with punctuated surges of intensity. In 2009, for example, trade between China and Latin America was valued at only $15 billion, whereas barely two years later that figure had reached $200 billion. Chile’s metal exports to China rose from $460 million in 2001 to $11.1 billion in 2011, correspondent with a super-cycle of high commodity prices in the world market, alongside less-appreciated developments in the mechanization of the mining industry.
Underlying Arboleda’s approach is the notion that the planetary mine is irreducible to a singular site of extraction; instead, it ought to be treated as a “dense network of territorial infrastructures and spatial technologies vastly dispersed across space,” combining processes of production and exchange across the complex apparatuses and geographies of the circulatory system of extractive capital. The space of extraction in question, then, is never merely a copper mine in northern Chile, say, but also its intricate links to Chile’s logistical system of highway grids and nodal ports on the Pacific coast, transoceanic trade routes, geographies of labor on either side of the Pacific, hierarchical supply chains, new forms of state power and imperialism, and the mediation of these ties by novel developments in finance. The planetary mine consists of this entire geography of extraction, from primary-commodity production in the Andean plateaus of Chile to the advanced manufacturing destinations of China.
Global Determination and Form-Analysis
The world market, for Arboleda, is the a priori level of analysis, understood as more than simply the sum of national economies. The world market is the terrain on which production and exchange can ultimately be comprehended as a totality composed of all its distinct moments. It is at this level where, through innumerable concrete acts of production and exchange, the total surplus value of society is determined, and only thereafter distributed across individual capitals and states.
National economies, from this perspective, are conceived as political “modes of existence” of the global economy. In this sense, the world market is not a structure standing above and determining national economies and human behaviour and experience therein, but rather expresses “the radical interdependence of social and ecological existence under capitalism.” The national state does not disappear in this setting – far from it – but Arboleda is nonetheless keen to emphasize the distinction between state-forms and their capitalist content, the underlying class antagonism of the latter being “essentially international” rather than bound up within the political confines of the national territories. The objective, then, is to delineate “the properly global content of resource imperialism and of the bourgeois state-form in the context of contemporary geographies of extraction.”
Planetary Mine is explicitly written and structured in the tradition of form-analysis Marxism. By Arboleda’s reckoning this perspective envelops thinkers as diverse as Simon Clarke and Werner Bonefeld of the school of Open Marxism, Moishe Postone – author of Time, Labor, and Social Domination, which Arboleda suggests “might be as important for the twenty-first century as Lukács’s History and Class Consciousness was for the twentieth” – Italians Riccardo Bellofiore and Tommaso Redolfi Riva, as well as Argentinians Juan Iñigo Carrera, Guido Starosta, and Enrique Dussel. Iñigo Carrera and Starosta are aligned with the Centro para la Investigación como Crítica Práctica in Buenos Aires, in which Iñigo Carrera acts as mentor to a small but influential cohort of theoreticians with a very particular reading of Marx. Dussel, based in Mexico City since his exile from Argentina in 1975, is one of Latin America’s preeminent interpreters of Marx and a heterodox theorist within the dependency school.
“Broadly understood,” Arboleda contends, “these traditions frame the Marxian critique of political economy as an interrogation of the alienated forms of social mediation that are historically specific to modern, capitalist society… these currents have in common [together also with the German school of Neue Marx-Lektüre] the fact that they reject the methodological separation of politics and economics typical of structural variants of Marxism and emphasize Marx’s treatment of alienated labor, fetishization, and alien objectivity in his mature work.”