Afropessimism departs from classical Fanonian thought in several ways, perhaps most notably in the Afropessimist reading of Fanon as a theorist of apocalypse. Frank Wilderson, who popularized the term Afropessimism, defines it as a “meta-framework” and “critical project” which recognizes that civil society feeds on “Black flesh” itself, via the (social and literal) deaths of Black people, such that “[t]he essential antagonism…is not between the workers and the bosses, not between settler and the Native, not between the queer and the straight, but between the living and the dead.”4Frank B. Wilderson, Afropessimism, First edition. (New York, N.Y.: Liveright Publishing Corporation, 2020), 229. In this way, the basis of civil society is the proximity, the disproportionate vulnerability, of Black people to premature death. Wilderson and Fanon both frequently cite and riff off of Aimé Césaire’s long-form poem, Notebook of a Return to the Native Land, which partially reads:
One must begin somewhere.
Begin what?
The only thing in the world worth beginning:
The End of the world of course.
For Césaire and Fanon, the illegibility of equality and Black freedom in the white world mark revolutionary activity as something that is, in a sense, apocalyptic. But in what sense? That question guides much of the following analysis.
In our contemporary moment, apocalypse is not some distant, amorphous specter but a concrete and immanent threat. While the Bulletin of Atomic Scientists announced in 1968 that it was “7 minutes to midnight”—a metaphor for how close humanity was to extinguishing itself with its own technologies, which at that time were mostly limited to atomic bombs—the Bulletin announced in January 2021 that, due to the compounding forces of the COVID-19 pandemic, nuclear weapons, and climate change, “It is 100 seconds to midnight,” closer to the hour than ever before. The very same forces critiqued by Black radicals in the mid-twentieth century—state violence, capitalist expansion, imperialism, war—function today toward the same potential outcome: global annihilation and the foreclosure of future possibilities for organized collective life. Many Black activists continue to conceive of political work as a matter of saving the world—from the present-day nuclear arms race and from climate change, both of which many see as impossible to address without sweeping, revolutionary transformations in political economy. Hence, the kind of apocalypse to which I am referring at this juncture is not the kind from which organized life can recover—that is, an end to a world amidst the reality that, as C. Riley Snorton writes, “worlds end all the time.”5C. Riley Snorton, Black on Both Sides: A Racial History of Trans Identity (Minneapolis: University of Minnesota Press, 2017), 198. Rather, I am referring to an all-out mass extinction with no wake to which any soul can bear witness.
Frank Wilderson’s Afropessimism describes and condemns anti-Black violence through a “critique without redemption or a vision of redress except ‘the end of the world.’”6Frank B. Wilderson, Afropessimism, First edition. (New York, N.Y.: Liveright Publishing Corporation, 2020), 174. For Wilderson, the struggle to end anti-Black violence is the struggle to end the world, but not solely in the Fanonian sense re-articulated by Snorton—that is, ending the world as we know it, in anticipation of a new, better world. No, Wilderson goes further; for him, ending anti-Black violence requires ending the world “without being burdened by a vision of a new world, such as socialism or a liberated nation-state.”7Wilderson, Afropessimism, 174. For him, “social death can be destroyed” (emphasis mine), but such destruction requires that Black people make our homes “in the hold of the [slave] ship and burn it from the inside out.”8Ibid, 323. In other words, the end of the world for Wilderson is not a metaphor for ending the world as we know it (a world defined by domination) but a concretely suicidal project. Hence, the dialectic I herein engage—between friendship and apocalypse—can also be referred to using the surrogate terminology of Afro-Optimism and Afropessimism.
Much of the current debate between Afropessimism and Afro-Optimism does not concern the end of the world, but instead the world as it currently exists. Before encountering the term Afro-Optimism in formal scholarship, I heard its sensibility expressed rather simply during a casual conversation some years ago, over dinner with a fellow young Black Studies scholar, who said: “For me, Blackness ain’t social death. It’s my social life. I feel alive when in-community with other Black people. Social death? Those are fighting words.” Within this formulation, the question at hand is how to define Black life under existing systems. Are we pessimistic or optimistic about what can be experienced under these conditions?9For an example of some of the contemporary work on these questions, see John Drabinski’s forthcoming book on James Baldwin’s Afro-Optimism, tentatively titled ‘So Unimaginable a Price’: Baldwin and the Black Atlantic. In the world as we know it, is something like faith or hope in Black social life justifiable—politically, ethically, spiritually—considering all the suffering and sickness and death that circumscribes our subjectivities? After all, Jared Sexton reminds us that:
[t]o speak of black social life and black social death, black social life against black social death, black social life as black social death, black social life in black social death—all of this is to find oneself in the midst of an argument that is also a profound agreement… Black optimism is not the negation of the negation that is afro-pessimism, just as black social life does not negate black social death by inhabiting it and vitalizing it. A living death is as much a death as it is a living.10Jared Sexton, “The Social Life of Social Death,” Intensions 5 (Fall/Winter 2011): 28.